Skip to main content
Music

A fusion of cultures for Ghanaian troupe bringing highlife to France

What happens when a Ghanaian singer forms a band in Bayonne with musicians from the southwest of France? The answer is Ah! Kwantou – a dynamic troupe empowered by cultural exchange. 

Ah! Kwantou performed at Africolor festival in La Courneuve, north of Paris, on 22 December 2023.
Ah! Kwantou performed at Africolor festival in La Courneuve, north of Paris, on 22 December 2023. © RFI/Melissa Chemam
Advertising

Band co-founder Kyekyeku writes and sings in English, Pidgin, French and his mother tongue, Twi. He says he's proud of his band's mix of Ghanan, French and West African sounds.

Kyekyeku has played at Montreux Jazz Festival and Paris’s New Morning, and collaborated with musicians Peter White, Pat Thomas, Mayra Andrade, and Blick Bassy. 

Ah! Kwantou, the band
Ah! Kwantou, the band © Black Stamp

He lives between Accra, Ghana, and Bayonne, France. With Ah! Kwantou, Kyekyeku aims to fuse the two cultures he calls home.

"The main inspiration is to exchange our influences from our sides of the Atlantic," he told RFI after performing at the Africolor Music Festival, adding that he wants to offer a refreshing sound that mixes the band members’ cultures.

Likewise, Ah! Kwantou bass player Kevin Bucket told RFI: "We all come from different backgrounds – mostly soul music, funk, hip hop, and of course, Ghana's highlife – and thought we could create an interesting, unheard mix."

Kyekyeky with Ah ! Kwantou live in La Courneuve, near Paris, on 22 December 2023
Kyekyeky with Ah ! Kwantou live in La Courneuve, near Paris, on 22 December 2023 © RFI/Melissa Chemam

Kyekyeku says ah kwantou means voyage.  

"It's about travelling around the world, getting inspiration, getting in tune with sounds, and then immersing ourselves into those materials," he says. 

The musician’s roots are in Afrobeat and highlife, a genre popular in Ghana, but less so in France.

Originating in coastal Ghanaian cities under British colonisation in the 19th century, highlife plays African rhythms and melodies with Western instruments like jazz horns and guitars.

"The idea is to put all of these sounds together for music with a lot of rhythm, a lot of energy and groove," Kyekyeku says.

Daily newsletterReceive essential international news every morning

Keep up to date with international news by downloading the RFI app

Share :
Page not found

The content you requested does not exist or is not available anymore.